Mequitta ahuja biography of christopher kennedy

Mequitta ahuja biography of christopher kennedy: Mequitta Ahuja is a graduate of

Ahuja grew up in a largely white community in Connecticut , and had little contact with African American communities and culture. Her upbringing in this environment is a common subject in her work. Ahuja's art explores the social construction of issues such as race , gender , and identity through a technique of self-portraiture.

Ahuja begins by developing a series of performances involving costumes, props, and poses. With the aid of a remote shutter , she then photographs her performances and documents them as " non-fictional source material. Ahuja has discussed her paintings as being feminist , [ 2 ] referring to the assertive, self-sufficient female presence prevalent in her work, and frequently turns to her African American and South Asian roots in her consideration of identity issues.

She states that through her art, "I feel I can have relationships to these groups on my own terms". Ahuja appropriates ancient works of myth and legend , such as the fifteenth century Persian manuscript and Mughal miniature paintings , into her own commitment to certain kinds of identity fabrication. She articulated her own artistic style as " Of primary concern to me is the agency we have to self-invent and self-represent We draw on personal and cultural history as well as our creative imaginations".

In her projects "Auto cartography I" and "Rhyme Sequence: Wiggle Waggle", the pictorial styles of the paintings are cross-cultural as well as autobiographical. She combines her own cultural heritage with the Western art canon to explore stories and imagery related to her experience.