Amede ardoin biography of rory gilmore death

Through fresh reporting, in-depth profiles, and daring personal essays, this issue will explore what we eat: people, industries, and tastes that both build and challenge our ideas of Southern food. I first met Christopher King in central Virginia, in August , the same afternoon Hurricane Irene came whipping through the area. The man I met at the door had short, dark hair that he combed back and to the side, and a pale, round face that suggested a certain kind of old-fashioned innocence, although in actuality he was sharp and acerbic, quick with an eye roll and unlikely to let you get away with saying anything stupid.

He was an easy person to talk records with: precise but open-minded, which was good, because he spent much of the next year, on and off the telephone, patiently walking me through the nuances of various recorded phenomena. King works most days as a production coordinator at Rebel Records, a bluegrass label, and County Records, an old-time label, both based in Charlottesville, but he is also the owner of Long Gone Sound Productions, a sound engineering and historical-music production company.

His eyeglasses are from another era. Like many collectors, King has insulated himself from the facets of modernity he finds most distasteful. He is forty-one years old.

Amede ardoin biography of rory gilmore death: He struggled with mental illness

The music is, above all, a physical incitement, a call to the floor: two-steps and one-steps and waltzes, songs to move to and be moved by. Between and , Ardoin recorded seventeen two-sided rpm records for a handful of labels, all of which King has gathered, studied, and sequenced over two compact discs. King also produced, notated, and re-mastered the set himself, and nearly all the source 78s were plucked from his private collection, itself a vast and staggering thing.

Why is Ardoin so important to King?